“Happy Hour” Trailer
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“Happy Hour breaks all the rules of theater… it offers not merely terrific entertainment, but more than a measure of poignancy, a sense of loss even amid the fun-and-games.”
– DC Metro
“Like all good happy hours, this one has plentiful munchies and libations. And like the best ones, it offers abundant laughter.”
– The New York Times
A dance show turned into an after-work office party. Come for the free drink, stay for the hope of a life-changing experience. “Think of Buster Keaton – unapologetically human and refreshingly relatable.” – NY Times
Dressed in a pair of everyday men’s suits, two women crash an after-work office party playing instantly familiar guys. It’s a subversive move, leading audiences to question expectations of women on stage with a free drink in their hands and microwave popcorn flying through the air.
Choreographed by Monica Bill Barnes, performed by Monica Bill Barnes, Elisa Clark, and Robbie Saenz de Viteri, Happy Hour is one hour in length, Happy Hour is suited for audiences 50-400 in size. Since its premiere in 2015, Happy Hour has been performed all over the world in various settings from a barn in upstate New York to a villa in Italy.
A 7 year old falls in love with dance at her first recital. 40 years later, she works every day to stay in the game. At 70 she keeps moving.
The Running Show documents the life of a dancer through movement, interviews, and stories. The show features a large cast of local performers in every city. Dancers from each community, ranging in age from 12 years old to 84, join Monica Bill Barnes on stage, learning their parts over the course of one week. Robbie Saenz de Viteri interviews each cast, incorporating their voices and stories into the show giving the audience an unprecedented look into the life of a dancer as a new kind of sports hero, that keeps moving against all odds.
Monica Bill Barnes & Company is a contemporary American dance company that brings dance where it does not belong. We create and produce each work entirely from its own rulebook—dancing to radio interviews on the biggest stages in the world, hosting a weekly show in a crowded office party, or leading a choreographed exercise routine in an art museum. Within each of these new contexts and borrowed environments, we constantly find humor in our awkward, everyday triumphs and failures.
Monica Bill Barnes is a choreographer, performer, and the Artistic Director of Monica Bill Barnes & Company. Barnes founded MBB&CO in 1997 with a collection of solos that could be performed anywhere. The company has performed in venues ranging from Upright Citizen’s Brigade to The Sydney Opera House, and has been presented in more than 100 cities throughout the US and internationally. Barnes has worked in film, theater, and set over 30 different works on college students all over the country. Recent company projects include The Museum Workout, a guided exercise tour of art museums made in collaboration with the author/visual artist Maira Kalman; Happy Hour, an immersive office party dance show; Three Acts, Two Dancers, One Radio Host, a show that combines radio and dance in collaboration with Ira Glass; and The Running Show, a new touring show inspired by the company’s award winning off-Broadway production that turns dance into a live sporting event.
Robert Saenz de Viteri began working in theater as an audio script assistant to Anna Deveare Smith. He has created performances and toured productions throughout the world with the Obie Award winning Nature Theater of Oklahoma. He has created, produced, and performed in Happy Hour, The Museum Workout, and One Night Only with Monica Bill Barnes & Company. Some of his other favorite projects include producing This American Life Episode 528, “The Radio Drama Episode” live on stage at BAM, directing Rachel Bonds’s Michael & Edie, and creating and performing The Spiritual Life of Modern America, a collaboration in Norway based on the experiences of foreigners traveling in America today. He was honored to receive a 2018 Miss Lilly Award for his contributions to women in theater.