Sankofa Danzafro, “Accommodating Lie” promo

 Behind the South: Dances for Manuel

  • This virtual showcase includes dance footage accompanied by a conversation between Artistic Director Rafael Palacios & Cristina Vazquez, Director, Contenidos Artisticos (MEX-US)

2022/2023 Tour Dates

Oct 14, 2022
Teatro Armida
Behind the South: Dances for Manuel
Sat & Sun,
Nov 12 & 13, 2022
Teatro Colón
Acommodating Lie
Bogotá, Colombia
Nov 18, 2022
Danza en la Ciudad
Behind the South: Dances for Manuel
Bogotá, Colombia

Please check back soon for newly announced tour dates!

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“The evening’s revelation was Sankofa’s ‘La Ciudad de los Otros’ (‘The City of Others’), an episodic work about urban struggle and resilience combining elements of hip-hop and Afro-Colombian dance.”

Siobhan Burke, The New York Times

“Director Rafael Palacios’ “La Ciudad de los Otros” (“The City of Others”) was judicious in form, resonant with meaning, and delivered in dance languages that ran the gamut from diasporic African to Latinised hip-hop”

Apollinaire Scherr, Financial Times


Sankofa Danzafro hails from Colombia, the country with the second largest Afro-descent population found in Latin America. The company’s “The City of Others”, is a work showcasing powerful Afro-Colombian and Afro-contemporary dance performed by 12 dancers & musicians with live drumming and singing.

The city in “The City of Others” is populated by people with diverse backgrounds from different places with varying cultures, and different ways to understand the world. These dissimilar people coexist in a limited space, and despite the forward march of progress, the city at times can become a place of discrimination, resulting in hostility and solitude for Afro-Colombians.

“The City of Others” denounces the lack of opportunities for minority communities and other marginalized populations who, for generations, have suffered social inequity. “The City of Others” demands the city be a place of coexistence; a place for everybody, not only the few.

One hour in length, Accommodating Lie showcases 7 dancers with live music performed by 3 musicians (drums, native flute, marimba, and voice). A powerful work examining what it means to be of African descent, Accommodating Lie denounces the clichés and falsehoods around the Black body. It looks to dismantle stereotypes that continue to be perpetuated. In a series of emotional solos, duets, and group dances, the company embodies decades of slavery and overt racism while claiming ownership to their identity. I know this all sounds super intense, and I can promise you, Sankofa’s performances are ultimately a celebratory experience from the lens of the African diaspora.

Through their performances, Rafael Palacios’ dances for Sankofa Danzafro reaffirm the need for self-representation of Afro-descendant communities, rewriting history from the perspective of colonized Colombians. In Accommodating Lie, he utilizes a catwalk to exhibit a parade of black bodies on display. The staging includes an interactive auction with the musicians and the audience – a direct reference to slavery and human trafficking. The set design includes a wall hung of straw ropes hung upstage – the kind of ropes used in the straw skirts worn by Afro-Colombian dancers in (racist) dance displays. The Sankofa dancers emerge from within this wall, and they too wear straw skirts in parts of the dance.

Fecha Limite (Expiration Date) is a portrait of the daily struggle of the Indigenous and Afro-Colombian communities and their fight to maintain and rebuild their traditions and their legacy in a society shaped by epistemicide  and forgetfulness.

Expiration Date is a 60 minutes Afro-contemporary dance work by Rafael Palacios performed by 8 dancers, 4 live musicians with a set and costumes that include masks made with bullets and chains.

The virtual program of Black Voices offers your community’s people of color the opportunity to tell their stories through both language and self-made movement. Designed for all bodies, Black Voices asks them to share personal narratives about life, racism, the pandemic, inequality, freedom, solitude and separation, resilience, achievements, defeats, or anything significant for each participant.

Presenters will ask their communities of color to submit their stories, ten of which will be selected to be translated into self-made dances. The authors of the stories will work in one- on-one on-line sessions with Rafael Palacios to create a 3 minutes dance/movement that will ultimately be performed in a live streaming event. Palacios will guide the writers through the process of translating the emotion and meaning of their written personal stories into movement.

Presenters may create an archive of all stories submitted, accessible to their audiences for download, and to have a Q&A or pre-performance talk with Rafael Palacios about racism in Latin America and Palacios’ practice of dance as a form of resistance and resilience.


Black Voices Boston Press:
Bay State Banner
The Boston Globe


Sankofa Danzafro’s mission is “to dance to be heard, rather than to be seen”.

Artistic Director Rafael Palacios’ motivation has been to rewrite the history of black communities through the eyes of the ones directly involved, the Afro-descendants, in Colombia and elsewhere. Palacios’ point of inspiration is that history has always been written by the oppressor, while the oppressed were denied having a voice. Utilizing the voices of the Sankofa dancers and musicians, he has been creating dances for over 20 years focusing on retelling  history from a point of view that has been ignored for centuries.

“Sankofa”, meaning, “to return to the root”, is more than a word, it’s an African philosophy that proposes that the past is a keyhole through which to view the present, and to be able to consider the future. This thought has guided the Afro-Colombian Sankofa Danzafro, founded by Rafael Palacios in 1997, as a space dedicated to training and creation in dance.

Through various pedagogical projects and creative works, the Sankofa Danzafro has sought to build a bridge between Afro-Colombian peoples and the African continent. The company uses Afro-Colombian’s ancestral roots in the creation of works, which results in work that begin with the root of African dance yet develop through the framework of the daily, traditional, and contemporary. Sankofa’s works are a combination of poetic dance built on the ideas of social bonding, personal growth and the positioning of local cultures in the national dynamics.

The company has performed in Brazil, France, Peru, Spain, Jamaica, Burkina Faso, Canada, Uruguay, China and the United States and has been awarded with the 2008 National Dance Award by the Ministry of Culture of Colombia for the work “San Pacho…Blessed!”. The company also received mention from United Nations for its “Good practice of Afro-descendant social inclusion in Latin America 2010”, for the company’s project “Steps in the Earth.” “Steps in the Earth” was developed with the dance communities in the Pacific regions of Chocó, Urabá, and San Andrés and Providencia islands, in agreement with the 2008-2016 of the Ministry of Culture programs “Training for Trainers” and “Danza Viva”.

Choreographer and Colombian dancer dedicated to the exploration of Afro-traditional, contemporary and urban dance languages. His experience as a dancer in Africa and Europe has been the basis for the foundation of the Sankofa Company, with which he has created a wide repertoire of works that have been presented in Colombia and other countries such as Jamaica, France, Spain, Canada, Brazil, Burkina Faso. He has developed training processes aimed at teachers and dancers as well as seedlings of young people and children. National Councilor of Dance and Counselor of Black Communities (2009-2011). Master teacher of the Training Program for Trainers of the Ministry of Culture in the Pacific region 2007- 2013. Palacios received the National Dance Award of the Ministry of Culture 2008, with the work San Pacho … Blessed !; In 2009, he held an internship with the Company in Burkina Faso, Africa. Director of the project Steps in the Earth that in 2010 receives the recognition of the UN as Good Practice of Afrodescendent Social Inclusion in Latin America. He is invited as artistic director for the Colombian dance show held in the framework of the Summit of the Americas Cartagena 2012. Choreographer for the production of the 2013 Cali World Games.

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