Written in Water promo

Aparna Ramaswamy presents, They Rose at Dawn

They Rose at Dawn – The Making Of

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2018/2019 Tour Dates

Oct 14
Walton Arts Center
Written In Water
Fayetteville, AR
Oct 18
Texas Performing Arts-The University of Texas at Austin
Written In Water
Austin, TX
Fri & Sat
Nov 2 & 3
The Kennedy Center
Written In Water
Washington, DC
Fri & Sat
Jan 11&12
Harris Theater
Written In Water
Chicago, IL
Feb 11
The Parkway Theater/SPCO's Liquid Music Series
Work In Progress Conversation: Ashwini Ramaswamy: Let the Crows Come
Minneapolis, MN
Feb 22
The Reif Performing Arts Center
Sacred Earth
Grand Rapids, MN
Feb 28-Mar 1
Performing Arts Series at Middlebury
Sacred Earth
Middlebury, VT
Mar 5
Fox Cities Performing Arts Center
Sacred Earth
Appleton, WI
Mar 28
Shattuck - St. Mary's School
Fairbault, MN
April 12
The O’Shaughnessy
St Paul, MN
April 26
The Granada Theatre -UCSB
Aparna Ramaswamy With The Silk Road Ensemble: Heroes Take Their Stands
Santa Barbara, CA
April 28
California State University, Northridge
Aparna Ramaswamy With The Silk Road Ensemble: Heroes Take Their Stands
Los Angeles, CA
April 30
Sergestrom Center for the Arts
Aparna Ramaswamy With The Silk Road Ensemble: Heroes Take Their Stands
Costa Mesa, CA
May 3
University of California-Berkeley
Aparna Ramaswamy With The Silk Road Ensemble: Heroes Take Their Stands
Berkeley, CA

Please check back soon for newly announced tour dates!


“For one hour we are transported into an exquisite dream state, one that exists deep in the heart of night.”

 Caroline Palmer, Star Tribune

full article (PDF)

“There is something transcendent that makes its way to the music and movement.”

-The National

full article (PDF)

“Ragamala conveys beauty through mastery of technique”

Sheila Regan, Star Tribune

full article (PDF)

“the eye often goes straight to Ms. Ramaswamy’s impeccable technique and incandescent beauty. Through her dancing, the music’s textures come into view”

Siobhan Burke, The New York Times

full article (PDF)

“Aparna Ramaswamy is a vision of sculptural lucidity whose dancing brings a full-bodied awareness to complex rhythms and shifts of dynamics.”

Gia Kourlas, The New York Times

“Aparna Ramaswamy graced the stage with vibrancy, energy, and light…she introduced audiences to [Bharatanatyam] in a most spectacular way.”


full article (PDF)

More Press

Song of the Jasmine [is] a soulful, imaginative and rhythmically contagious collaboration with the superb jazz composer and alto saxophonist Rudresh Mahanthappa.”

New York Times
full article (PDF)
“That’s when the magic of Song of the Jasmine reveals itself — the relationship between the music and dance in this work is not only meant to be, it exemplifies what happens when artistic boundaries (real or artificial) are radically tested, if not knocked down all together.”
-Star Tribune
full article (PDF)

“A marvel of bouyant agility and sculptural clarity”

Dance Magazine

“Ramaswamy appears to be inexhaustible, an elegant blaze of energy, capable of throwing her focus with equal intensity to the magnetic poles”


Dance Teacher Magazine: An Indian Dance Matriarchy in Minneapolis


Chicago Tribune: Dance Top Ten for 2015: Women had an outsized role on this year’s list


They Rose at Dawn is a full-evening solo performed by classical Bharatanatyam Indian dance Aparna Ramaswamy, accompanied by a stellar Carnatic ensemble of musicians, which examines women as carries of ritual. As humans, we endure and thrive through our transmission of wisdom from one generation to the next. Navigating inner and outer worlds, women are the primordial source of all creation; the compassionate mother; the lover, exuberant and erotic; the embodiment of power and strength. For Ramaswamy, these intergenerational conversations provide a forum to create intricate and complex worlds that convey a sense of reverence, of unfolding mystery, of imagination. They Rose at Dawn premiered at The Joyce Theater Oct 6-9, 2015 and has been awarded a National Dance Project touring subsidy for 16/17.

Sacred Earth explores the interconnectedness between human emotions and the environments that shape them. Performed with live music, the dancers create a sacred space to honor the divinity in the natural world and the sustenance we derive from it. Inspired by the philosophies behind the ephemeral arts of kolam and Warli painting and the Tamil Sangam literature of India, Sacred Earth is co-Artistic Directors Ranee and Aparna Ramaswamy’s singular vision of the beautiful, fragile relationship between nature and man.

Written in Water is one hour in length and is performed by 5 dancers with 5 musicians, including the composer, Doris Duke awardee Amir ElSaffar. The performance is inspired by the 2nd century Indian board game, Paramapadam (that later became the ever-popular Snakes & Ladders). The dancers perform on a video-saturated stage space, with their movement choices representing the heights of ecstasy and depths of longing in Hindu and Sufi thought. They seek to connect the human with the transcendent and to reveal mysteries within the self. Forging new artistic paradigms, Ragamala brings together the internationally-celebrated artists: composer ElSaffar leads a musical ensemble with a distinct alchemy of Iraqi Maqam, jazz, and Carnatic music. V.  Keshav’s lush paintings are projected onto the stage to create a mythic, mystical dance landscape.

“Written in Water” Research Sources and Glossary

Full Description of Written in Water

Using the mythography of crows as a framework to explore memory as a source of guidance and dislocation, “Let the Crows Come” weaves together three dance solos set to original music by three composers to create a genre-defying evolution of movement and music across cultural and corporeal boundaries. Choreographer and dancer, Ashwini Ramaswamy collaborates with NYC-based artist, Jace Clayton (aka DJ/Rupture), to expand their shared interest in traditional cultures and their contemporary transformations, the social forces that have shaped ideas of genre over time, and how art contributes to social meaning. A full-length work for three dancers, “Let the Crows Come” will feature scores by three composers, creating a soundscape that adds texture/dimension to the concepts of cultural evolution and memory. It will begin with a classical Bharatanatyam solo, Ashwini Ramaswamy will create and perform to a Carnatic score composed by Prema Ramamurthy of Hyderabad, India. Building off of the ragas from the Carnatic solo, Jace Clayton will create the second solo and provide musical transitions between each of the dance solos with his mix of live electronic compositions/manipulations. “Let the Crows Come” was commissioned by the St Paul Chamber Orchestra and has been awarded a National Dance Project (with touring subsidy available for engagements in the 19/20 and 20/21 seasons) and will premiere in fall, 2019. There will be a work-in-progress showing at Baryshnikov Art Center on Th, Nov 15, 2018. (The third composer and two additional dancers will be announced soon.)

Premiering in the 20/21 season, “Bone within Ash: The Fires of Varanasi” is a large-scale, multidisciplinary dance work in which the choreographers (Ranee, Aparna & Ashwini Ramaswamy – mother and daughters) explore the liminal spaces in the birth-death-re-birth continuum to understand human experiences of migration—physical, cultural, emotional. French light/set designer/art director Willy Cessa is creating a multi-sensory experience that weaves together choreography, nature, and ritual. New Delhi-based visual artist Manav Gupta is designing a large-scale stage installation, transforming thousands of Indian earthen vessels into an homage to the swirling waters of the Ganges. Click here for a more detailed description.


Founded in 1992 and acclaimed as one of the Indian Diaspora’s leading dance ensembles, Ragamala Dance Company seamlessly carries the South Indian classical dance form of Bharatanatyam into the 21st century. Informed by the echoing past and the fleeting present, Artistic Directors Ranee and Aparna Ramaswamy’s evocative choreography defies chronology.

Ranee and Aparna — mother and daughter — are protégés of the legendary dancer and choreographer Alarmel Valli, known as one of India’s greatest living masters. They embrace the philosophy, spirituality, myth and mysticism of their heritage to create not works but worlds – visceral, universal experiences that use Indian art forms to express their contemporary point of view. They see the classical form as a dynamic, living tradition with vast potential to convey timeless themes and present-day ideas.

Ragamala Dance Company has toured extensively, highlighted by performances at the Kennedy Center in Washington, D.C., American Dance Festival in Durham, NC, Music Center in Los Angeles, CA, Getty Center in Los Angeles, CA, Krannert Center in Urbana, IL, Edinburgh Fringe Festival in Scotland, Bali Arts Festival in Indonesia, and National Centre for Performing Arts in Mumbai, India.

Aparna Ramaswamy (Artistic Director/ Choreographer/ Principal Dancer), was born in India and raised in the United States. She is a protégé of legendary Bharatanatyam artist Alarmél Valli, one of India’s greatest living masters. Described as “a marvel of buoyant agility and sculptural clarity” (Dance Magazine), “thrillingly three-dimensional,” and “an enchantingly beautiful dancer,” (The New York Times), Aparna and has been featured at prestigious venues throughout the United States and abroad, both as a soloist and as principal dancer with Ragamala.

She has been awarded several honors, including two McKnight Artist Fellowships, a Bush Fellowship, an Arts and Religion grant funded by the Rockefeller Foundation, two Jerome Foundation Travel Study Grants, an Artist Exploration Fund grant from Arts International, the Lakshmi Vishwanathan Endowment Prize from Sri Krishna Gana Sabha (Chennai, India), and the Sage Award for Best Dancer (Minneapolis). Aparna’s work is supported by the National Endowment for the Arts, the National Dance Project, and the Japan Foundation, and has been commissioned by the American Composer’s Forum, the Walker Art Center and the Southern Theater. In 2010, she was the first Bharatanatyam artist to be selected as one of “25 to Watch” by Dance Magazine. Aparna and co-Artistic Director Ranee Ramaswamy were recently named the 2011 “Artist of the Year” by the Minneapolis Star Tribune.

Ranee Ramaswamy (Founder, Artistic Director/ Choreographer/ Principal Dancer), has been a master teacher and performer of Bharatanatyam in the U.S. since 1978. Since her first cross-cultural collaboration with poet Robert Bly in 1991, followed by her founding of Ragamala in 1992, she has been a pioneer in the establishment of non-Western dance traditions in Minneapolis and in pushing the boundaries of Indian classical dance on the global scene.

Among her many awards are 14 McKnight Artist Fellowships for Choreography and Interdisciplinary Art, a Bush Fellowship for Choreography, an Artist Exploration Fund grant from Arts International, two Cultural Exchange Fund grants from the Association of Performing Arts Presenters, and the 2011 McKnight Foundation Distinguished Artist Award. Most recently, Ranee was the recipient of a 2012 United States Artists Fellowship, and was nominated by President Barack Obama to serve on the National Council on the Arts.

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